The different use of color is the theme of the two Dutch artists Nan Groot Antink and Fransje Killaars. In the works of Nan Groot Antink (*1954), colours appear in their purest form, while Fransje Killaars (*1959) uses textiles as carrier of color.

The exhibition takes the act of writing as a starting point to reflect on a variety of recent art practices in and around Southeast Asia, focusing on the complexity of reading, performing, understanding, and translating these texts. On view is a wide selection of artists' books, as well as artists' magazines, prints and graphic works, artists' postcards, multiples, radio art, records, and CDs.

The Way We Are 4.0 brings together some one hundred works from more than eighty artists and artist groups from different eras and contexts. Five thematic areas spread across 2,500 m² convey insights into international art from the 1960s to the present day: Worlds of the Body, Views of Germany, Aesthetic Objection, Displaced Everyday Life, and Minimalistic Tendencies. These thematic classifications are complemented by a series of artist spaces and an extraordinary art bar consisting of a former film set. This gives rise to unexpected readings of the art of our current era with respect to all the media.

Flags are vividly expressive political symbols that are used in many different ways in artistic works. They stand for shared, communal convictions and values, emphasize national sovereignty, mark territorial borders, enclose and exclude. But flags are also used for protest and resistance. The exhibition What is the Proper Way to Display a Flag? focuses on international positions from an international context and endeavors, by means of contemporary artistic production, to reflect upon the significance, impact and utilization of flags. Questions concerning our various conceptions of identity, nation, and provenance come into view.