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Susan Philipsz, Glass Track

Soundpiece at the Hans Otte. Klanghaus

The sound installation Glass Track (2012) by Scottish artist Susan Philipsz is a prime example of her work with sound, space, and memory. Philipsz is known for her mostly site-specific sound installations, which feature her own untrained voice, everyday objects as instruments, or unusual sounds from classical instruments. She uses sound to redefine spaces and evoke emotional responses.
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21.02.2026 - bis auf weiteres
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Anys Reimann. Mirrorball

With "Mirrorball", the Weserburg Museum für moderne Kunst is the first museum to present a solo exhibition devoted to Anys Reimann (*1965, Düsseldorf). The artist investigates the dynamic field between identity and body, between cultural affiliation and representation. She is known for images of Black women: self-confident, complex, and challenging all at once. Reimann counters perspectives of Western colonialism with idiosyncratic pictorial worlds. Her works celebrate the hybrid and ambiguous. The exhibition in Bremen offers a comprehensive range of insights into Reimann’s most recent creative output.
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02.05.2026 - 04.10.2026
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Edition S Press. Poems You Have To Hear

Exhibition at the Centre for Artists’ Publications

From 1970 to 2005, Edition S Press was a publishing house specializing in experimental literature, Concrete Poetry, Beat Poetry, and poetry performance. Using reel-to-reel tapes, audio cassettes, video cassettes, and media packages, it developed new forms of publishing acoustic art. Over 80 editions bring together works by artists from Europe, the United States, and the Soviet Union. Many of these artworks were created during the Cold War and demonstrate how poetry and sound art became forms of expression for resistance and artistic freedom.
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12.09.2026 - 29.08.2027
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Better Together! Aase & Poul Gernes

The art of Poul Gernes (1925–1996) enjoys cult status in Denmark. What is virtually unknown, however, is that his most important works from the 1960s through the 1990s were created in an equal partnership with his wife, the painter and textile artist Aase Seidler Gernes (1927–2018). Better Together! makes a long-overdue correction to art history by presenting, for the first time, the body of work attributed to Poul Gernes as the collaborative practice that it is. In addition to individual works, the exhibition features a wide range of joint projects and interdisciplinary collaborations.

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14.11.2026 - 28.03.2027