The different use of color is the theme of the two Dutch artists Nan Groot Antink and Fransje Killaars. In the works of Nan Groot Antink (*1954), colours appear in their purest form, while Fransje Killaars (*1959) uses textiles as carrier of color.

Today the Peruvian artist Teresa Burga (1935–2021) has long been considered to be one of the important pioneers of Pop Art and Concept Art in Latin America. The exhibition accordingly concentrates on the extensive graphic oeuvre of the artist, especially the sheets done from 2013 to 2021. Many of the exhibited works are being shown to the public for the first time. The graphic sheets on which the artist worked right up to her death in February 2021 are linked at the Weserburg with drawings, linocuts, and a space-encompassing object installation from the 1960s. In this way, a bridge is extended from the late oeuvre back to the early works.

UNTIL WE MEET AGAIN. Regional Writings (Southeast Asia) takes the act of writing as a starting point to think about a variety of post-conceptual art practices within and around Southeast Asia. It is developed as a research process to identify, locate, collect and discuss artist books, with a focus on the complexities of reading, understanding and translating of these texts.

With The Way We Are 4.0, the Weserburg is presenting for the fourth time its version of a collection presentation that is flexible and changeable in itself and fundamentally reassembled once a year. Again, works from different contexts and times are arranged into thematic areas, or artists' spaces take a concentrated look at separate artistic positions.

Flags are vividly expressive political symbols, that are used in many different ways in artistic works. They stand for shared, communal convictions and values, emphasize national sovereignty, mark territorial borders, enclose and exclude. But flags are also used for protest and resistance. They are a fixed element of social conflicts that are fought out on the streets of this world.